Richard Epstein

 

Richard served in the U.S. Army Signal Corps, 1st Signal Brigade, 207th Signal Company, and was assigned to 9th Log Command and StratCom while stationed at Phu Mu, Thailand ('65 -'66).  Richard went to Viet Nam in ‘68 as a civilian.  He worked as a documentation specialist and  a communications technician (Vung Chua Mt. and Qui Nhon) for Page Communication Engineers.  After 16 months in country, he was reassigned to JUSMAC, Bangkok.  Richard lives with his wife Noy in Silver Spring, Maryland and is co-host of the Memorial Day Writers’ Project.  

 

DEROS

 

i can not come back

this face is empty

the reflection you see

is not

me.

 

you must tell me

who you want me to be

 

this world is not right

this is not

 

the way

i planned

 

 

DEROS*:  Date Estimated Return from OverSeas.


 

Untangle Those Things

 

Many thoughts that remain unspoken. 

Slowly I get to them, one at a time,

like an assemblage of snakes, intertwined.

 

There is only so much room inside. 

One at a time I give them freedom; a chance

to escape, a path to a less crowded space.

 

Tug on a slithery end and it turns

quickly to a random flash,

an image stored too long in a damp,

dark cave; the flesh of a soldier

torn inside out, innocent lives

 

too young snuffed out. 

Don’t focus too long. 

Let it pass—but inside out

it comes again and again. 

Like my life—let it pass.

 

 

 

Last Night I Saw…

 

a small boy herding water buffalo

home for the night;

 

stark white ao dai*

waving in the wind;

 

pristine beaches,

not a sole in sight;

 

a prop-driven dive bomber

flying beneath a double rainbow;

 

I saw fires in Cholon– rubble,

my friend’s home– gone.

 

Feeling No Pain

(My first trip to Can Tho, Viet Nam)

 

Perched like a red-tailed hawk on top a fuel drum

with a warm beer in my hand and my friend Mary Jane,

I gaze past the watch tower where the ground

gives way to stinking muck, brown and green.

 

As I watch an orange sun sink into the South China Sea,

layers of clouds change to purpled gray.  A voice

in the watch tower calmly proclaims:

Charlie's coming.

 

A show begins with geese alarm and panic shouts. 

Pop. Pop. Parachute flares sets the stage. 

A voice complains: Where is he?  I don’t see em.

 

A Cobra comes on line and lowers its head

to hurl streams of tracers red and green. 

Not ten yards to my left two soldiers stand

in the open, their back toward me. 

 

They spew long dripping arcs of leaking

red death into a once proud sea

of tall yellow and green.

 

I'm covered in thick red dust.

There’s an empty beer in my hand. 

There’s barf on my boots

and all over the ground. 

 

I try to contain my laughter at the unfolding scene.

It's poorly organized.

There's too much color.

There's too much sound. 

 

Players scurry like chickens and crows.

Ghost-like figures dressed in black

snake through the razor wire

like lemmings heading for the sea. 

 

I see his eyes.  He's looking

at me.  I'm a red-tailed hawk. 

I sit in the fleeting light.

I watch the purpled-gray rise

above the South China Sea.   

 

Can Tho, Viet Nam 1968

 

Letting Go

(At the Viet Nam Veterans Memorial)

 

it’s dusk 

how quick the sun fades

no one is here except me

and fifty eight thousand

two hundred and nineteen

 

as if that isn’t enough

i know there’s more 

too many to count

but how else

do you keep score

 

shhhhhhh!

can you feel it?

all you gotta do is let go

 

well i'm tired of being numb

tired of being dead inside

and not knowing why

 

i never touched the wall

don’t deserve to

still afraid to let 'em go

 

my bones are stiff

getting cold

getting old

 

consoled by two-dollar wine

a hulking shadow staggers by

i heard him mumble:

"it don’t mean nothing

they throw them lives away"

 

Washington DC, 1997

 

Poets Pages