Richard
served in the U.S. Army Signal Corps, 1st Signal Bri
gade,
207th Signal Company, and was assigned to 9th Log Command
and StratCom while stationed at Phu Mu, Thailand ('65 -'66). Richard went to
Viet Nam in ‘68 as a civilian. He worked as a documentation specialist and a
communications technician (Vung Chua Mt. and Qui Nhon) for Page Communication
Engineers. After 16 months in country, he was reassigned to JUSMAC, Bangkok.
Richard lives with his wife Noy in Silver Spring, Maryland and is co-host of the
Memorial Day Writers’ Project.
i can not come back
this face is empty
the reflection you see
is not
me.
you must tell
me
who you want me to be
this world is not right
this is not
the way
i planned
DEROS*: Date Estimated Return from OverSeas.
Many thoughts that remain unspoken.
Slowly I get to them, one at a time,
like an assemblage of snakes, intertwined.
There is only so much room inside.
One at a time
I give them
freedom; a chance
to escape, a path to a less crowded space.
Tug on a slithery end and it turns
quickly to a random flash,
an image stored too long in a damp,
dark cave; the flesh of a soldier
torn inside out, innocent lives
too young snuffed out.
Don’t focus too long.
Let it pass—but inside out
it comes again and again.
Like my life—let it pass.
a small boy
herding water buffalo
home for the night;
stark white ao dai*
waving in the wind;
pristine beaches,
not a sole in sight;
a prop-driven dive bomber
flying beneath a double rainbow;
I saw fires in Cholon– rubble,
my friend’s home– gone.
(My first trip to Can Tho, Viet Nam)
Perched like a red-tailed hawk on top a fuel drum
with a warm
beer in my hand and my friend Mary Jane,

I gaze past the watch tower where the ground
gives way to stinking muck, brown and green.
As I watch an orange sun sink into the South China Sea,
layers of clouds change to purpled gray. A voice
in the watch tower calmly proclaims:
Charlie's coming.
A show begins with geese alarm and panic shouts.
Pop. Pop. Parachute flares sets the stage.
A voice complains: Where is he? I don’t see em.
A Cobra comes on line and lowers its head
to hurl streams of tracers red and green.
Not ten yards to my left two soldiers stand
in the open, their back toward me.
They spew long dripping arcs of leaking
red death into a once proud sea
of tall yellow and green.
I'm covered in thick red dust.
There’s an empty beer in my hand.
There’s barf on my boots
and all over the ground.
I try to contain my laughter at the unfolding scene.
It's poorly organized.
There's too much color.
There's too much sound.
Players scurry like chickens and crows.
Ghost-like figures dressed in black
snake through the razor wire
like lemmings heading for the sea.
I see his eyes. He's looking
at me. I'm a red-tailed hawk.
I sit in the fleeting light.
I watch the purpled-gray rise
above the South China Sea.
Can Tho, Viet Nam 1968
(At the Viet Nam Veterans Memorial)
it’s dusk
how quick the sun fades
no one is here except me
and fifty eight thousand
two hundred and nineteen
as if that
isn’t enough
i know there’s more
too many to count
but how else
do you keep score
shhhhhhh!
can you feel it?
all you gotta do is let go
well i'm tired of being numb
tired of being dead inside
and not knowing why
i never touched the wall
don’t deserve to
still afraid to let 'em go
my bones are stiff
getting cold
getting old
consoled by two-dollar wine
a hulking shadow staggers by
i heard him mumble:
"it don’t mean nothing
they throw them lives away"
Washington DC, 1997